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We came off the road and decided to try to make it in the music business, primarily as songwriters. He then very obligingly taught us flat picking and open chords and as we had nothing much to do all day but practice we got quite good at playing and harmonizing together and started supplementing our income by busking.

We went to investigate and there was this man sitting and playing ‘San Francisco Bay Blues.’ He was John Baxter Taylor and he was a mate of Donovan’s and had taught him a lot of his guitar playing. In 1965 we went on the road together and spent the summer of 1965 in Torquay, Weymouth, London, Derby, Ilfracombe, Bournemouth and other places, sleeping rough, washing up now and then, and on the beach at Torquay we heard this wonderful guitar playing and a husky voice from behind some rocks.

He was far too advanced for me, of course, but I did pick up a few basic chords, which I passed on to Drew. I took a few guitar lessons in 1964 from a jazz guitarist. We couldn’t play anything but we used to try to make up songs just by mouthing the music, just singing the words to our own tunes. We were brought together by a mutual love of Elvis and Lonnie Donegan, with a zany sense of humour. Interview with Peter Dymond, from Drew & Dy, An Apple Story – Mersey Beat (: Paul McCartney produced those songs, played piano and sang harmonies. On August 12, 1968, Drew And Dy and Paul McCartney were at Trident Studios, to record three of those songs. Paul invited them to the empty boutique and they played him six of their songs. They jumped out of the cab and ran up to Paul and asked him to listen to their music. Keith Drewett and Peter Dymond, of the duo Drew And Dy, met with Paul McCartney in May 1968 when, while in a taxi, they spot him standing outside of the Apple Boutique.

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